Two releases. A body of work that exists in the world, in physical form, in the hands of people who chose to own it.
That's not nothing. That's actually everything.
The question of what comes next is one that every artist faces after a release cycle ends. The work is done. It's out. The period of making and releasing and promoting has a natural conclusion, and then there is a gap — a space between what was and what will be. That gap can feel like silence. It can feel like stasis. It is neither.
What comes next is already in motion. It is in the listening that's happening right now — the late nights, the commutes, the moments when someone puts on Sleepless Nights or Capitalism & Tyranny for the first time and something shifts. The work continues to do its work. The artist continues to make.
For Sndigø, what comes next is more music. More objects. More considered releases that exist because they need to exist, not because a content calendar demands them. The timeline is not announced because the timeline is not the point. The point is the work.
Stay close. The next thing will arrive when it's ready.
Until then: the records are there. The shop is open. The music is waiting.